{"id":234,"date":"2022-02-17T10:09:21","date_gmt":"2022-02-17T10:09:21","guid":{"rendered":"https:\/\/artword.org\/?page_id=234"},"modified":"2023-06-04T14:50:29","modified_gmt":"2023-06-04T14:50:29","slug":"selection-of-texts","status":"publish","type":"page","link":"https:\/\/artword.org\/index.php\/publications\/selection-of-texts\/","title":{"rendered":"Selection of Texts"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"234\" class=\"elementor elementor-234\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8a22ab1 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"8a22ab1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7c26e88\" data-id=\"7c26e88\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-54eb9ae elementor-widget elementor-widget-cvio-blog\" data-id=\"54eb9ae\" data-element_type=\"widget\" data-widget_type=\"cvio-blog.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\n\t\t<!-- Section Blog -->\n\t\t<div class=\"section blog\">\n\t\t\t<div class=\"content\">\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\"blog-items cols\">\n\t\t\t\t\t\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-668\" class=\"post-668 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2025\/01\/08\/spells-and-specula-some-technofeminist-strategies-to-decolonise-the-body\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"666\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2025\/01\/FutureFeminisms-1-1.png\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Spells and Specula: Some Technofeminist Strategies to Decolonise the Body\" srcset=\"https:\/\/artword.org\/wp-content\/uploads\/2025\/01\/FutureFeminisms-1-1.png 430w, https:\/\/artword.org\/wp-content\/uploads\/2025\/01\/FutureFeminisms-1-1-194x300.png 194w, https:\/\/artword.org\/wp-content\/uploads\/2025\/01\/FutureFeminisms-1-1-160x248.png 160w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2025\/01\/08\/spells-and-specula-some-technofeminist-strategies-to-decolonise-the-body\/\">January 8, 2025<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2025\/01\/08\/spells-and-specula-some-technofeminist-strategies-to-decolonise-the-body\/\" class=\"name\">Spells and Specula: Some Technofeminist Strategies to Decolonise the Body<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, C.\u00a0(2024), &#8220;Spells and Specula: Some Technofeminist Strategies to Decolonise the Body&#8221;,\u00a0Ferra, I.,\u00a0Ferra, F.,\u00a0Patelis, K.\u00a0and\u00a0Karatzogianni, A.\u00a0(Ed.)\u00a0Future Feminisms\u00a0(Digital Activism and Society: Politics, Economy And Culture In&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-651\" class=\"post-651 post type-post status-publish format-standard has-post-thumbnail hentry category-journal-articles\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2024\/01\/07\/feminist-ai-technomyths-reality-alternative-futures\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"600\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/EIRINI-article1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"\u03a0\u03c1\u03bf\u03c2 \u03bc\u03b9\u03b1 \u03a6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03a4\u03b5\u03c7\u03bd\u03b7\u03c4\u03ae \u039d\u03bf\u03b7\u03bc\u03bf\u03c3\u03cd\u03bd\u03b7: \u03a4\u03b5\u03c7\u03bd\u03bf-\u039c\u03cd\u03b8\u03bf\u03b9, \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03ba\u03b1\u03b9 \u0395\u03bd\u03b1\u03bb\u03bb\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u039c\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1\" srcset=\"https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/EIRINI-article1.jpg 423w, https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/EIRINI-article1-212x300.jpg 212w, https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/EIRINI-article1-160x227.jpg 160w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2024\/01\/07\/feminist-ai-technomyths-reality-alternative-futures\/\">January 7, 2024<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2024\/01\/07\/feminist-ai-technomyths-reality-alternative-futures\/\" class=\"name\">\u03a0\u03c1\u03bf\u03c2 \u03bc\u03b9\u03b1 \u03a6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03a4\u03b5\u03c7\u03bd\u03b7\u03c4\u03ae \u039d\u03bf\u03b7\u03bc\u03bf\u03c3\u03cd\u03bd\u03b7: \u03a4\u03b5\u03c7\u03bd\u03bf-\u039c\u03cd\u03b8\u03bf\u03b9, \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03ba\u03b1\u03b9 \u0395\u03bd\u03b1\u03bb\u03bb\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u039c\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>\u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u03a7. (2023). \u03a0\u03c1\u03bf\u03c2 \u03bc\u03b9\u03b1 \u03a6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03a4\u03b5\u03c7\u03bd\u03b7\u03c4\u03ae \u039d\u03bf\u03b7\u03bc\u03bf\u03c3\u03cd\u03bd\u03b7: \u03a4\u03b5\u03c7\u03bd\u03bf-\u039c\u03cd\u03b8\u03bf\u03b9, \u03a0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03ba\u03b1\u03b9 \u0395\u03bd\u03b1\u03bb\u03bb\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u039c\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1. EIRINI\/\u039c\u03b5\u03bb\u03ad\u03c4\u03b5\u03c2 \u039d\u03ad\u03c9\u03bd \u0395\u03c1\u03b5\u03c5\u03bd\u03b7\u03c4(\u03c1\u03b9)\u03ce\u03bd \u03b3\u03b9\u03b1 \u03c4\u03bf \u03a6\u03cd\u03bb\u03bf, 3(1), 15\u201327. https:\/\/doi.org\/10.26266\/jeiyoschstugenvol3pp15-27 \u039c\u03c0\u03bf\u03c1\u03b5\u03af \u03bd\u03b1 \u03c5\u03c0\u03ac\u03c1\u03be\u03b5\u03b9&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-643\" class=\"post-643 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2024\/01\/07\/defacing-patriarchy-at-the-framework-of-a-greek-feminist-collectivity-the-artivism-of-storgi-care-rage-by-oestrogones-c-grammatikopoulou-and-f-tsibiridou\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"500\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/cosmosemioticas-de-la-resistencia-y-decolonialidad.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Defacing Patriarchy at the Framework of a Greek Feminist Collectivity: The Artivism of StORGI [Care\/RAGE] By Oestrogones &#8211; C. Grammatikopoulou and F. Tsibiridou\" srcset=\"https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/cosmosemioticas-de-la-resistencia-y-decolonialidad.jpg 344w, https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/cosmosemioticas-de-la-resistencia-y-decolonialidad-206x300.jpg 206w, https:\/\/artword.org\/wp-content\/uploads\/2024\/01\/cosmosemioticas-de-la-resistencia-y-decolonialidad-160x233.jpg 160w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2024\/01\/07\/defacing-patriarchy-at-the-framework-of-a-greek-feminist-collectivity-the-artivism-of-storgi-care-rage-by-oestrogones-c-grammatikopoulou-and-f-tsibiridou\/\">January 7, 2024<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2024\/01\/07\/defacing-patriarchy-at-the-framework-of-a-greek-feminist-collectivity-the-artivism-of-storgi-care-rage-by-oestrogones-c-grammatikopoulou-and-f-tsibiridou\/\" class=\"name\">Defacing Patriarchy at the Framework of a Greek Feminist Collectivity: The Artivism of StORGI [Care\/RAGE] By Oestrogones &#8211; C. Grammatikopoulou and F. Tsibiridou<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, and Tsibiridou, Fotini. \u201cDefacing Patriarchy at the Framework of a Greek Feminist Collectivity: The Artivism of StORGI [Care\/RAGE] By Oestrogones.\u201d In Cosmosemi\u00f3ticas de&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-569\" class=\"post-569 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2022\/06\/29\/envisioning-a-feminist-artificial-intelligence\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"482\" height=\"680\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/06\/HumaniTies-and-Artificial-Intelligence-v1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Envisioning a Feminist Artificial Intelligence\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2022\/06\/29\/envisioning-a-feminist-artificial-intelligence\/\">June 29, 2022<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2022\/06\/29\/envisioning-a-feminist-artificial-intelligence\/\" class=\"name\">Envisioning a Feminist Artificial Intelligence<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2022), &#8220;Envisioning a Feminist Artificial Intelligence&#8221;, in: Freddy Paul Grunert (ed.), HumaniTies and Artificial Intelligence, European Union: Noema, https:\/\/noemalab.eu\/ideas\/humanities-and-artificial-intelligence\/ This chapter envisions a&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-561\" class=\"post-561 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2022\/06\/29\/feminist-resistance-aesthetics\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"482\" height=\"680\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/06\/Feminist-Protest-Aesthetics-1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"\u0395\u03c0\u03b9\u03c4\u03b5\u03bb\u03b5\u03c3\u03c4\u03b9\u03ba\u03cc\u03c2 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03bc\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03c6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03bd\u03c4\u03af\u03c3\u03c4\u03b1\u03c3\u03b7\u03c2\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2022\/06\/29\/feminist-resistance-aesthetics\/\">June 29, 2022<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2022\/06\/29\/feminist-resistance-aesthetics\/\" class=\"name\">\u0395\u03c0\u03b9\u03c4\u03b5\u03bb\u03b5\u03c3\u03c4\u03b9\u03ba\u03cc\u03c2 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03bc\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03c6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03bd\u03c4\u03af\u03c3\u03c4\u03b1\u03c3\u03b7\u03c2<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>\u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03a7\u03c1\u03b9\u03c3\u03c4\u03af\u03bd\u03b1 (2022), &#8216;\u0395\u03c0\u03b9\u03c4\u03b5\u03bb\u03b5\u03c3\u03c4\u03b9\u03ba\u03cc\u03c2 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03bc\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03c6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03bd\u03c4\u03af\u03c3\u03c4\u03b1\u03c3\u03b7\u03c2&#8217;, \u03c3\u03c4\u03bf: \u0395\u03bb\u03c0\u03af\u03b4\u03b1 \u039a\u03b1\u03c1\u03b1\u03bc\u03c0\u03ac, \u038a\u03c1\u03b9\u03c2 \u039b\u03c5\u03ba\u03bf\u03c5\u03c1\u03b9\u03ce\u03c4\u03b7 (\u03b5\u03c0\u03b9\u03bc.), \u03a6\u03b5\u03bc\u03b9\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b8\u03b5\u03c9\u03c1\u03af\u03b5\u03c2, \u0391\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ad\u03c2 \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03a0\u03b1\u03b3\u03ba\u03bf\u03c3\u03bc\u03b9\u03bf\u03c0\u03bf\u03b9\u03b7\u03bc\u03ad\u03bd\u03b5\u03c2 \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b5\u03c2, \u0392\u03cc\u03bb\u03bf\u03c2: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-290\" class=\"post-290 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2019\/02\/17\/viral-gender-performances\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/beautiful-warriors.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Viral Gender Performances\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2019\/02\/17\/viral-gender-performances\/\">February 17, 2019<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2019\/02\/17\/viral-gender-performances\/\" class=\"name\">Viral Gender Performances<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2019), &#8216;Viral Gender Performances&#8217;, in: Cornelia Sollfrank (ed.), The Beautiful Warriors, Technofeminist Praxis in the 21st Century, New York: Autonomedia, pp.89-109. This chapter&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-349\" class=\"post-349 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2018\/02\/19\/virale-gender-performance\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/schone-kriegerinnen.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Virale Gender-Performance\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2018\/02\/19\/virale-gender-performance\/\">February 19, 2018<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2018\/02\/19\/virale-gender-performance\/\" class=\"name\">Virale Gender-Performance<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2018), &#8216;Virale Gender-Performance&#8217;, in: Cornelia Sollfrank (ed.), Die Sch\u00f6nen Kriegerinnen, Technofeministische Praxis im 21. Jahrhundert, Wien: Transversal Texts, pp.131-166. Feminismus ist in den&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-299\" class=\"post-299 post type-post status-publish format-standard has-post-thumbnail hentry category-books\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2018\/02\/18\/critical-cartography-of-art-and-visuality-in-the-global-age-the-territories-of-the-contemporary\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"501\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/critical-cartography1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Critical Cartography Of Art And Visuality In The Global Age, The Territories of the Contemporary\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2018\/02\/18\/critical-cartography-of-art-and-visuality-in-the-global-age-the-territories-of-the-contemporary\/\">February 18, 2018<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2018\/02\/18\/critical-cartography-of-art-and-visuality-in-the-global-age-the-territories-of-the-contemporary\/\" class=\"name\">Critical Cartography Of Art And Visuality In The Global Age, The Territories of the Contemporary<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2018); Pinilla, Rafael (eds.), Critical Cartography Of Art And Visuality In The Global Age, The Territories of the Contemporary, Cambridge Scholars Publishing This&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-509\" class=\"post-509 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2017\/02\/25\/athens-report-documenting-the-debt-crisis-in-the-era-of-post-truth\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"424\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/interartive-90-copy.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Athens Report: Documenting the Debt Crisis in the Era of Post-Truth\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2017\/02\/25\/athens-report-documenting-the-debt-crisis-in-the-era-of-post-truth\/\">February 25, 2017<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2017\/02\/25\/athens-report-documenting-the-debt-crisis-in-the-era-of-post-truth\/\" class=\"name\">Athens Report: Documenting the Debt Crisis in the Era of Post-Truth<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina &#8216;Athens Report: Documenting the debt crisis in the era of post-truth&#8217;, Jan. 2017 &lt;https:\/\/interartive.org\/2017\/01\/athens-report-anna-lascari-project&gt; The text focuses on Anna Lascari&#8217;s &#8220;The Athens Report&#8221;,&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-503\" class=\"post-503 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2016\/02\/24\/the-rebel-woman\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"643\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/ia83.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"&#8220;The rebel woman&#8221;: \u03a4he early years of Greek Feminism\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2016\/02\/24\/the-rebel-woman\/\">February 24, 2016<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2016\/02\/24\/the-rebel-woman\/\" class=\"name\">&#8220;The rebel woman&#8221;: \u03a4he early years of Greek Feminism<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, \u2018&#8221;The rebel woman&#8221;: \u03a4he early years of Greek Feminism&#8217; Interartive, v.83, April 2016 &lt;http:\/\/interartive.org\/2016\/05\/rebel-woman-feminism-greece&gt; The text goes back to the first steps of&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-353\" class=\"post-353 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2016\/02\/19\/breathing-art-art-as-an-encompassing-and-participatory-experience\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"482\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/museums-in-a-digital-culture.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Breathing Art: Art as an Encompassing and Participatory Experience\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2016\/02\/19\/breathing-art-art-as-an-encompassing-and-participatory-experience\/\">February 19, 2016<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2016\/02\/19\/breathing-art-art-as-an-encompassing-and-participatory-experience\/\" class=\"name\">Breathing Art: Art as an Encompassing and Participatory Experience<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2016), \u2018New media, new perceptions: Art as an encompassing and participatory experience\u2019, in: Chiel van den Akker; Susan L\u00eagene (eds.), Museums in a&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-312\" class=\"post-312 post type-post status-publish format-standard has-post-thumbnail hentry category-journal-articles\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2016\/02\/18\/intersections-of-language-voice-and-image-nikos-navridis-visual-interpretations-of-samuel-beckett-a-deleuzian-approach\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"511\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/else1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Intersections of Language, Voice + Image: Navridis\u2019 Visual Interpretations of Beckett.\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2016\/02\/18\/intersections-of-language-voice-and-image-nikos-navridis-visual-interpretations-of-samuel-beckett-a-deleuzian-approach\/\">February 18, 2016<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2016\/02\/18\/intersections-of-language-voice-and-image-nikos-navridis-visual-interpretations-of-samuel-beckett-a-deleuzian-approach\/\" class=\"name\">Intersections of Language, Voice + Image: Navridis\u2019 Visual Interpretations of Beckett.<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2016), \u2018Intersections of Language, Voice and Image: Nikos Navridis\u2019 Visual Interpretations of Samuel Beckett. A Deleuzian Approach\u2019, Else, Issue 1, January 2016. Nikos&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-391\" class=\"post-391 post type-post status-publish format-standard has-post-thumbnail hentry category-conference-proceedings\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2015\/02\/20\/artistic-ventures-into-the-world-of-big-data-work-communication-and-politics-of-a-minoritarian-force\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/aarhus-critical-alternatives.png\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Artistic Ventures into the World of Big Data: Work, Communication and Politics of a Minoritarian Force\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2015\/02\/20\/artistic-ventures-into-the-world-of-big-data-work-communication-and-politics-of-a-minoritarian-force\/\">February 20, 2015<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2015\/02\/20\/artistic-ventures-into-the-world-of-big-data-work-communication-and-politics-of-a-minoritarian-force\/\" class=\"name\">Artistic Ventures into the World of Big Data: Work, Communication and Politics of a Minoritarian Force<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2015), \u2018Artistic ventures into the world of big data: Work, communication and politics of a minoritarian force\u2019, Workshop \u2018Making \u201cWorld Machines\u201d: Discourse, Design&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-361\" class=\"post-361 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2015\/02\/19\/urban-conflicts-participatory-art\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/urban-conflicts.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"\u039f\u03c5\u03c4\u03bf\u03c0\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a1\u03b5\u03b1\u03bb\u03b9\u03c3\u03bc\u03cc\u03c2 \u03c3\u03c4\u03b7 \u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03b9\u03ba\u03ae \u03a4\u03ad\u03c7\u03bd\u03b7 \u03c4\u03b7\u03c2 \u03a8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae\u03c2 \u0395\u03c0\u03bf\u03c7\u03ae\u03c2\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2015\/02\/19\/urban-conflicts-participatory-art\/\">February 19, 2015<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2015\/02\/19\/urban-conflicts-participatory-art\/\" class=\"name\">\u039f\u03c5\u03c4\u03bf\u03c0\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a1\u03b5\u03b1\u03bb\u03b9\u03c3\u03bc\u03cc\u03c2 \u03c3\u03c4\u03b7 \u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03b9\u03ba\u03ae \u03a4\u03ad\u03c7\u03bd\u03b7 \u03c4\u03b7\u03c2 \u03a8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae\u03c2 \u0395\u03c0\u03bf\u03c7\u03ae\u03c2<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>\u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03a7\u03c1\u03b9\u03c3\u03c4\u03af\u03bd\u03b1 (2015), \u2018\u039f\u03c5\u03c4\u03bf\u03c0\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c1\u03b5\u03b1\u03bb\u03b9\u03c3\u03bc\u03cc\u03c2 \u03c3\u03c4\u03b7 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03b9\u03ba\u03ae \u03c4\u03ad\u03c7\u03bd\u03b7 \u03c4\u03b7\u03c2 \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae\u03c2 \u03b5\u03c0\u03bf\u03c7\u03ae\u03c2\u2019, \u03c3\u03c4\u03bf Urban Conflicts, \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7: \u0395\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9\u03bf \u201c\u03c3\u03c5\u03bd\u03b1\u03bd\u03c4\u03ae\u03c3\u03b5\u03b9\u03c2 \u03ba\u03b1\u03b9 \u03c3\u03c5\u03b3\u03ba\u03c1\u03bf\u03cd\u03c3\u03b5\u03b9\u03c2 \u03c3\u03c4\u03b7\u03bd \u03c0\u03cc\u03bb\u03b7\u201d, pp.203-214. \u0397 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ae&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-495\" class=\"post-495 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2014\/02\/24\/editorial-the-sky-over-the-city-culture-and-urban-space\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"837\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/culture-and-urban-spaces.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Editorial: The Sky Over the City. Culture and Urban Space\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2014\/02\/24\/editorial-the-sky-over-the-city-culture-and-urban-space\/\">February 24, 2014<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2014\/02\/24\/editorial-the-sky-over-the-city-culture-and-urban-space\/\" class=\"name\">Editorial: The Sky Over the City. Culture and Urban Space<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, \u2018Editorial: The Sky Over the City. Culture and Urban Space\u2019, Culture and Urban Space, Interartive Special Issue, v.65, August 2014 &lt;http:\/\/cultureurbanspace.interartive.org\/editorial-culture-urban-space-christina-grammatikopoulou&gt; The special&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-489\" class=\"post-489 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2014\/02\/24\/the-wilderness-in-the-machine-glitch-and-the-poetics-of-error\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"531\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/interartive-59.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"\u201cThe wilderness in the machine\u201d: Glitch and the poetics of error\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2014\/02\/24\/the-wilderness-in-the-machine-glitch-and-the-poetics-of-error\/\">February 24, 2014<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2014\/02\/24\/the-wilderness-in-the-machine-glitch-and-the-poetics-of-error\/\" class=\"name\">\u201cThe wilderness in the machine\u201d: Glitch and the poetics of error<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina \u2018\u201cThe wilderness in the machine\u201d: Glitch and the poetics of error\u2019, Interartive, v.59, January 2014 &lt;http:\/\/interartive.org\/2014\/01\/glitch-art&gt; A glitch is a rupture in information&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-397\" class=\"post-397 post type-post status-publish format-standard has-post-thumbnail hentry category-conference-proceedings\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2013\/02\/20\/decoding-the-body-towards-a-technologically-enhanced-and-artistically-generated-experience-of-the-corporeal\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"541\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/renew.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"A technologically enhanced and artistically generated experience of the corporeal\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/20\/decoding-the-body-towards-a-technologically-enhanced-and-artistically-generated-experience-of-the-corporeal\/\">February 20, 2013<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/20\/decoding-the-body-towards-a-technologically-enhanced-and-artistically-generated-experience-of-the-corporeal\/\" class=\"name\">A technologically enhanced and artistically generated experience of the corporeal<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2013) \u2018Decoding the body: Towards a technologically enhanced and artistically generated experience of the corporeal\u2019, Re-New Digital Arts Festival, Copenhagen, Conference Proceedings, pp.62-67&#8230;.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-381\" class=\"post-381 post type-post status-publish format-standard has-post-thumbnail hentry category-thesis\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/encounters-on-the-borders-of-the-immaterial-body-technology-and-visual-culture-art-and-breath\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"514\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/thesis-grammatikopoulou.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Encounters on the Borders of the Immaterial: Body, Technology and Visual Culture. Art and Breath\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/encounters-on-the-borders-of-the-immaterial-body-technology-and-visual-culture-art-and-breath\/\">February 19, 2013<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/encounters-on-the-borders-of-the-immaterial-body-technology-and-visual-culture-art-and-breath\/\" class=\"name\">Encounters on the Borders of the Immaterial: Body, Technology and Visual Culture. Art and Breath<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2013), Encounters on the Borders of the Immaterial: Body, Technology and Visual Culture. Art and Breath (1970-2012), (Doctoral Thesis), Barcelona: University of Barcelona&#8230;.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-366\" class=\"post-366 post type-post status-publish format-standard has-post-thumbnail hentry category-book-chapters\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/the-poetry-of-the-immaterial-edith-kollaths-aerial-imagination\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"346\" height=\"500\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/edith-kollath.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"The poetry of the immaterial: Edith Kollath\u2019s aerial imagination\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/the-poetry-of-the-immaterial-edith-kollaths-aerial-imagination\/\">February 19, 2013<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/the-poetry-of-the-immaterial-edith-kollaths-aerial-imagination\/\" class=\"name\">The poetry of the immaterial: Edith Kollath\u2019s aerial imagination<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2013), \u2018The poetry of the immaterial: Edith Kollath\u2019s aerial imagination\u2019, in: Edith Kollath, Manoeuvre of Plenty, Works by Edith Kollath, Berlin: Distanz, pp.6-12&#8230;.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-342\" class=\"post-342 post type-post status-publish format-standard has-post-thumbnail hentry category-journal-articles\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/from-the-deep-web-to-the-city-streets-hacking-politics-and-visual-culture\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/Untitcfhled-1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"From the deep web to the city streets: Hacking, politics and visual culture\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/from-the-deep-web-to-the-city-streets-hacking-politics-and-visual-culture\/\">February 19, 2013<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/19\/from-the-deep-web-to-the-city-streets-hacking-politics-and-visual-culture\/\" class=\"name\">From the deep web to the city streets: Hacking, politics and visual culture<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2013), \u2018From the deep web to the city streets: Hacking, politics and visual culture\u2019, Quaderns-e, ICA, Vol.19 (1), pp. 202-219. The political protests&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-337\" class=\"post-337 post type-post status-publish format-standard has-post-thumbnail hentry category-journal-articles\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2013\/02\/18\/hacking-a-new-political-and-cultural-practice\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"505\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/lea.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Hacking: A New Political and Cultural Practice\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/18\/hacking-a-new-political-and-cultural-practice\/\">February 18, 2013<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2013\/02\/18\/hacking-a-new-political-and-cultural-practice\/\" class=\"name\">Hacking: A New Political and Cultural Practice<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2013), \u2018Hacking: A New Political and Cultural Practice\u2019, Aceti, Lanfranco; Rinehart, Richard (eds.), Not Here Not There, Leonardo Electronic Almanac, Vol.19, 1:62-74. Hacking&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-483\" class=\"post-483 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2011\/02\/24\/holy-pop-the-making-of-icons-in-contemporary-culture\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"712\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/ia33.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Holy Pop! The making of Icons in Contemporary Culture\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2011\/02\/24\/holy-pop-the-making-of-icons-in-contemporary-culture\/\">February 24, 2011<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2011\/02\/24\/holy-pop-the-making-of-icons-in-contemporary-culture\/\" class=\"name\">Holy Pop! The making of Icons in Contemporary Culture<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, \u2018Holy Pop! The making of Icons in Contemporary Culture\u2019, Interartive, v.33, June 2011 &lt;http:\/\/interartive.org\/2011\/06\/holy-pop-icons&gt; The text focuses on religious elements in pop culture,&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-474\" class=\"post-474 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2010\/02\/23\/sophia-laskaridou-myth\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/interartive-19.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"From Artist to Myth: The reception of Sophia Laskaridou\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2010\/02\/23\/sophia-laskaridou-myth\/\">February 23, 2010<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2010\/02\/23\/sophia-laskaridou-myth\/\" class=\"name\">From Artist to Myth: The reception of Sophia Laskaridou<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, \u2018From Artist to Myth: The reception of Sophia Laskaridou\u2019, Interartive, v.19, March 2010 (Part A) and Interartive, v.20 (Part B) &lt;http:\/\/interartive.org\/2010\/04\/sophia_laskaridou_painter\/&gt; Sofia Laskaridou&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-409\" class=\"post-409 post type-post status-publish format-standard has-post-thumbnail hentry category-conference-proceedings\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2010\/02\/20\/ciber-respiracion-encuentros-de-cuerpo-y-tecnologia\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"640\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/universos-y-metaversos-art-arquitectura-i-societat-digital.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Ciber-Respiraci\u00f3n: Encuentros de Cuerpo y Tecnolog\u00eda\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2010\/02\/20\/ciber-respiracion-encuentros-de-cuerpo-y-tecnologia\/\">February 20, 2010<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2010\/02\/20\/ciber-respiracion-encuentros-de-cuerpo-y-tecnologia\/\" class=\"name\">Ciber-Respiraci\u00f3n: Encuentros de Cuerpo y Tecnolog\u00eda<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2010), \u2018Ciber-Respiraci\u00f3n: Encuentros de Cuerpo y Tecnolog\u00eda\u2019, in: Lourdes Cirlot, et.al. (Ed.), Universos y Metaversos: Aplicaciones Art\u00edsticas de los Nuevos Medios, Barcelona: Arte,&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-404\" class=\"post-404 post type-post status-publish format-standard has-post-thumbnail hentry category-conference-proceedings\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2010\/02\/20\/stepping-towards-the-immaterial-digital-technology-revolutionizing-art\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/transforming-culture-conference.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Stepping Towards the Immaterial: Digital Technology Revolutionizing Art\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2010\/02\/20\/stepping-towards-the-immaterial-digital-technology-revolutionizing-art\/\">February 20, 2010<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2010\/02\/20\/stepping-towards-the-immaterial-digital-technology-revolutionizing-art\/\" class=\"name\">Stepping Towards the Immaterial: Digital Technology Revolutionizing Art<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina (2010), \u2018Stepping towards the immaterial: Digital technology revolutionizing art\u2019, in Agnes Aljas, et.al. (ed.), Transforming Culture in the Digital Age, Tartu: Estonian National&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-467\" class=\"post-467 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2009\/02\/23\/canvas-in-a-film-frame-the-role-of-painting-in-jim-jarmuschs-limits-of-control-and-jean-luc-godards-pierrot-le-fou\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/interartive-16.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"Canvas in a (film) frame: The role of painting in Jarmusch&#8217;s Limits of Control and Godard&#8217;s Pierrot le Fou\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2009\/02\/23\/canvas-in-a-film-frame-the-role-of-painting-in-jim-jarmuschs-limits-of-control-and-jean-luc-godards-pierrot-le-fou\/\">February 23, 2009<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2009\/02\/23\/canvas-in-a-film-frame-the-role-of-painting-in-jim-jarmuschs-limits-of-control-and-jean-luc-godards-pierrot-le-fou\/\" class=\"name\">Canvas in a (film) frame: The role of painting in Jarmusch&#8217;s Limits of Control and Godard&#8217;s Pierrot le Fou<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, &#8216;Canvas in a (film) frame: The role of painting in Jim Jarmusch&#8217;s Limits of Control and Jean Luc Godard&#8217;s Pierrot le Fou&#8217;, Interartive&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-462\" class=\"post-462 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2009\/02\/23\/a-leading-role-for-the-audience-kim-gordons-sonic-challenges-and-visual-reflections\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"230\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/interartive-71.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"A leading role for the audience: Kim Gordon\u2019s sonic challenges and visual reflections\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2009\/02\/23\/a-leading-role-for-the-audience-kim-gordons-sonic-challenges-and-visual-reflections\/\">February 23, 2009<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2009\/02\/23\/a-leading-role-for-the-audience-kim-gordons-sonic-challenges-and-visual-reflections\/\" class=\"name\">A leading role for the audience: Kim Gordon\u2019s sonic challenges and visual reflections<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, \u2018A leading role for the audience: Kim Gordon\u2019s sonic challenges and visual reflections\u2019, Interartive, v.7, February 2009 &lt;http:\/\/interartive.org\/2009\/02\/sonic-youth&gt; As we examine the visual&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-455\" class=\"post-455 post type-post status-publish format-standard has-post-thumbnail hentry category-interartive\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2008\/02\/23\/a-junction-of-myth-history-cinema-aeschylus-oresteia-in-angelopoulos-thiassos\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"432\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/interartive-1.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"A junction of myth, history, cinema: Aeschylus\u2019 Oresteia in Angelopoulos\u2019 Thiassos\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2008\/02\/23\/a-junction-of-myth-history-cinema-aeschylus-oresteia-in-angelopoulos-thiassos\/\">February 23, 2008<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2008\/02\/23\/a-junction-of-myth-history-cinema-aeschylus-oresteia-in-angelopoulos-thiassos\/\" class=\"name\">A junction of myth, history, cinema: Aeschylus\u2019 Oresteia in Angelopoulos\u2019 Thiassos<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>Grammatikopoulou, Christina, \u2018A junction of myth, history, cinema: Aeschylus\u2019 Oresteia in Angelopoulos\u2019 Thiassos\u2019, Interartive, v.1, June 2008 &lt;http:\/\/interartive.org\/2008\/06\/theodoros_angelopoulos&gt; (translations in English, Spanish, Greek) In Travelling&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"blog-col\">\n\t<div class=\"blog-item content-box\">\n\t\t<div id=\"post-372\" class=\"post-372 post type-post status-publish format-standard has-post-thumbnail hentry category-dissertation\">\n\t\t\t<div class=\"image\">\n\t\t\t\t\n\t\t<a class=\"post-thumbnail\" href=\"https:\/\/artword.org\/index.php\/2007\/02\/19\/sophia-laskaridou\/\" aria-hidden=\"true\" tabindex=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"511\" height=\"720\" src=\"https:\/\/artword.org\/wp-content\/uploads\/2022\/02\/laskaridou-master.jpg\" class=\"attachment-cvio_1280x720 size-cvio_1280x720 wp-post-image\" alt=\"\u0397 \u0396\u03c9\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03a3\u03bf\u03c6\u03af\u03b1 \u039b\u03b1\u03c3\u03ba\u03b1\u03c1\u03af\u03b4\u03bf\u03c5\" \/>\n\t\t\t<span class=\"info\">\n\t\t\t\t<span class=\"centrize full-width\">\n\t\t\t\t\t<span class=\"vertical-center\">\n\t\t\t\t\t\t<span class=\"icon fas fa-plus\"><\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\n\t\t\t\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"desc\">\n\t\t\t\t\t\t\t\t\t<div class=\"date\">\n\t\t\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2007\/02\/19\/sophia-laskaridou\/\">February 19, 2007<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<a href=\"https:\/\/artword.org\/index.php\/2007\/02\/19\/sophia-laskaridou\/\" class=\"name\">\u0397 \u0396\u03c9\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03a3\u03bf\u03c6\u03af\u03b1 \u039b\u03b1\u03c3\u03ba\u03b1\u03c1\u03af\u03b4\u03bf\u03c5<\/a>\n\n\t\t\t\t\t\t\t\t<div class=\"single-post-text\">\n\t\t\t\t\t<p>\u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03a7\u03c1\u03b9\u03c3\u03c4\u03af\u03bd\u03b1 (2007), \u0397 \u03b6\u03c9\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03a3\u03bf\u03c6\u03af\u03b1 \u039b\u03b1\u03c3\u03ba\u03b1\u03c1\u03af\u03b4\u03bf\u03c5 (1876-1965), (\u03bc\u03b5\u03c4\u03b1\u03c0\u03c4\u03c5\u03c7\u03b9\u03b1\u03ba\u03ae \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1), \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7: \u0391\u03c1\u03b9\u03c3\u03c4\u03bf\u03c4\u03ad\u03bb\u03b5\u03b9\u03bf \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2 \u0397 \u03bc\u03b5\u03c4\u03b1\u03c0\u03c4\u03c5\u03c7\u03b9\u03b1\u03ba\u03ae \u03b1\u03c5\u03c4\u03ae \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03b5\u03af\u03bd\u03b1\u03b9 \u03bc\u03b9\u03b1 \u03c0\u03c1\u03c9\u03c4\u03cc\u03c4\u03c5\u03c0\u03b7 \u03ad\u03c1\u03b5\u03c5\u03bd\u03b1 \u03c0\u03bf\u03c5 \u03b1\u03c0\u03bf\u03ba\u03ac\u03bb\u03c5\u03c8\u03b5 \u03c4\u03bf&#8230;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t<div class=\"pager\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>June 29, 2022 Envisioning a Feminist Artificial Intelligence Grammatikopoulou, Christina (2022), &#8220;Envisioning a Feminist Artificial Intelligence&#8221;, in: Freddy Paul Grunert (ed.), HumaniTies and Artificial Intelligence,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":231,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-234","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/pages\/234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/comments?post=234"}],"version-history":[{"count":15,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/pages\/234\/revisions"}],"predecessor-version":[{"id":619,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/pages\/234\/revisions\/619"}],"up":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/pages\/231"}],"wp:attachment":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media?parent=234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}