{"id":397,"date":"2013-02-20T16:49:00","date_gmt":"2013-02-20T16:49:00","guid":{"rendered":"https:\/\/artword.org\/?p=397"},"modified":"2022-02-25T14:56:36","modified_gmt":"2022-02-25T14:56:36","slug":"decoding-the-body-towards-a-technologically-enhanced-and-artistically-generated-experience-of-the-corporeal","status":"publish","type":"post","link":"https:\/\/artword.org\/index.php\/2013\/02\/20\/decoding-the-body-towards-a-technologically-enhanced-and-artistically-generated-experience-of-the-corporeal\/","title":{"rendered":"A technologically enhanced and artistically generated experience of the corporeal"},"content":{"rendered":"\n<p>Grammatikopoulou, Christina (2013) \u2018Decoding the body: Towards a technologically enhanced and artistically generated experience of the corporeal\u2019, <em>Re-New Digital Arts Festival<\/em>, Copenhagen, Conference Proceedings, pp.62-67.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color\" href=\"https:\/\/issuu.com\/re-new\/docs\/re-new_2013_conference_proceeding\" style=\"border-radius:5px;color:#ff19ff\">Download Proceedings<\/a><\/div>\n<\/div>\n\n\n\n<p>The intersection of information technologies and artistic practices has created a new field of experimentation, where a new perception of the body, the self and the urban space takes place. Based on Roy Ascott&#8217;s idea of Cyberception and Don Ihde&#8217;s Post-Phenomenology, this analysis focuses on artworks that are based on interactive participation, biofeedback and information technologies. Within this context, art emerges as an alternative means of theoretical discourse and scientific research.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grammatikopoulou, Christina (2013) \u2018Decoding the body: Towards a technologically enhanced and artistically generated experience of the corporeal\u2019, Re-New Digital Arts Festival, Copenhagen, Conference Proceedings, pp.62-67&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":398,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference-proceedings"],"acf":[],"_links":{"self":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":4,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"predecessor-version":[{"id":403,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/397\/revisions\/403"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media\/398"}],"wp:attachment":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}