{"id":455,"date":"2008-02-23T21:19:00","date_gmt":"2008-02-23T21:19:00","guid":{"rendered":"https:\/\/artword.org\/?p=455"},"modified":"2022-02-25T15:05:05","modified_gmt":"2022-02-25T15:05:05","slug":"a-junction-of-myth-history-cinema-aeschylus-oresteia-in-angelopoulos-thiassos","status":"publish","type":"post","link":"https:\/\/artword.org\/index.php\/2008\/02\/23\/a-junction-of-myth-history-cinema-aeschylus-oresteia-in-angelopoulos-thiassos\/","title":{"rendered":"A junction of myth, history, cinema: Aeschylus\u2019 Oresteia in Angelopoulos\u2019 Thiassos"},"content":{"rendered":"\n<p>Grammatikopoulou, Christina, \u2018A junction of myth, history, cinema: Aeschylus\u2019 Oresteia in Angelopoulos\u2019 Thiassos\u2019, <em>Interartive, <\/em>v.1, June 2008 &lt;http:\/\/interartive.org\/2008\/06\/theodoros_angelopoulos&gt; (translations in English, Spanish, Greek)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color\" href=\"http:\/\/interartive.org\/2008\/06\/theodoros_angelopoulos\" style=\"border-radius:5px;color:#ff19ff\" target=\"_blank\" rel=\"noreferrer noopener\">Read Text<\/a><\/div>\n<\/div>\n\n\n\n<p>In <em>Travelling Players<\/em>, Theodoros Angelopoulos uses Oresteia as a metaphor for Greece at the beginning of the 20th century. The connection of the film with Oresteia was chosen to &#8220;camouflage&#8221; its political tone, and in the end it proved to be an ideal vehicle for the director to talk about the history of Greece, from 1939 to 1952.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grammatikopoulou, Christina, \u2018A junction of myth, history, cinema: Aeschylus\u2019 Oresteia in Angelopoulos\u2019 Thiassos\u2019, Interartive, v.1, June 2008 &lt;http:\/\/interartive.org\/2008\/06\/theodoros_angelopoulos&gt; (translations in English, Spanish, Greek) In Travelling&#8230;<\/p>\n","protected":false},"author":1,"featured_media":457,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-455","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interartive"],"acf":[],"_links":{"self":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/comments?post=455"}],"version-history":[{"count":5,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/455\/revisions"}],"predecessor-version":[{"id":547,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/455\/revisions\/547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media\/457"}],"wp:attachment":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media?parent=455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/categories?post=455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/tags?post=455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}