{"id":467,"date":"2009-02-23T21:37:00","date_gmt":"2009-02-23T21:37:00","guid":{"rendered":"https:\/\/artword.org\/?p=467"},"modified":"2022-02-25T15:04:13","modified_gmt":"2022-02-25T15:04:13","slug":"canvas-in-a-film-frame-the-role-of-painting-in-jim-jarmuschs-limits-of-control-and-jean-luc-godards-pierrot-le-fou","status":"publish","type":"post","link":"https:\/\/artword.org\/index.php\/2009\/02\/23\/canvas-in-a-film-frame-the-role-of-painting-in-jim-jarmuschs-limits-of-control-and-jean-luc-godards-pierrot-le-fou\/","title":{"rendered":"Canvas in a (film) frame: The role of painting in Jarmusch&#8217;s Limits of Control and Godard&#8217;s Pierrot le Fou"},"content":{"rendered":"\n<p>Grammatikopoulou, Christina, &#8216;Canvas in a (film) frame: The role of painting in Jim Jarmusch&#8217;s Limits of Control and Jean Luc Godard&#8217;s Pierrot le Fou&#8217;, Interartive v.16,&nbsp; Dec. 2009 &lt;<a href=\"https:\/\/interartive.org\/2009\/12\/jarmusch-godard\">https:\/\/interartive.org\/2009\/12\/godard-jarmusch&gt;<\/a><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color\" href=\"https:\/\/interartive.org\/2009\/12\/godard-jarmusch\" style=\"border-radius:5px;color:#ff19ff\">Read Text<\/a><\/div>\n<\/div>\n\n\n\n<p>This text analyzes the influence of painting on cinema. The analysis begins with historical examples, and focuses on two films: Jarmusch&#8217;s The Limits of Control and Godard&#8217;s Pierrot Le Fou, two films that resemble animated paintings: successive frames captured as works of art, full of paintings, poetic discourse, and Arthur Rimbaud&#8217;s words in the background.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grammatikopoulou, Christina, &#8216;Canvas in a (film) frame: The role of painting in Jim Jarmusch&#8217;s Limits of Control and Jean Luc Godard&#8217;s Pierrot le Fou&#8217;, Interartive&#8230;<\/p>\n","protected":false},"author":1,"featured_media":469,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interartive"],"acf":[],"_links":{"self":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/comments?post=467"}],"version-history":[{"count":5,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/467\/revisions"}],"predecessor-version":[{"id":546,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/posts\/467\/revisions\/546"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media\/469"}],"wp:attachment":[{"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/media?parent=467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/categories?post=467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artword.org\/index.php\/wp-json\/wp\/v2\/tags?post=467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}